The Song of Solomon is a poetic celebration of love, longing, and union. When read psychologically, it describes an inner drama taking place entirely within the mind of the reader. The bride and the beloved are not separate persons but symbolic postures of consciousness—the self in longing and the self in fulfilment—moving toward the union first defined in Genesis 2:24, where two become one. In the Gospels, this same inner movement is personified as Jesus. What appears as saving is simultaneously the creation of the bride, brought forth through inner union rather than external rescue.
The Well of Living Water
“A garden fountain, a well of living water, and flowing streams from Lebanon.” — Song of Songs 4:15
Gospel Fulfilment:
At the well of Sychar, Jesus offers the Samaritan woman “living water” that wells up to eternal life (John 4:10–14). Read inwardly, this encounter points back to Eden itself, where the river that flowed out of the garden divided into four streams—symbolising the natural outpouring of conscious abundance from a unified source.
In the Song, the well belongs to the bride: enclosed, intimate, and sustaining. In the Gospel narrative, Jesus gives voice to that same inner source as the saving state. Living water is not acquired but remembered—the awakening of the self to the abundance already flowing within, preparing it for union.
“Arise, My Love, and Come Away”
“My beloved speaks and says to me: ‘Arise, my love, my beautiful one, and come away.’” — Song of Songs 2:10
Gospel Fulfilment:
Jesus’ invitations—“Follow me,” “Come and see,” “Come to me and I will give you rest”—echo the beloved’s call to the bride. These are not moral demands but inner summons.
To arise is to shift mental posture. The bride responds by leaving an old sense of self behind and consenting to a new identity. This movement is internal, yet it reorganises experience.
The Agile Beloved as Good Shepherd
“My beloved is like a gazelle or a young stag.” — Song of Songs 2:9
Gospel Fulfilment:
Jesus describes himself as the Good Shepherd who seeks the lost sheep and does not abandon it (Luke 15:4; John 10:11). Psychologically, this reflects awareness persistently returning to its chosen state.
The beloved’s swift movement symbolises the immediacy of imagination. What is sought is not another, but the self brought back into wholeness.
Anointing with Spikenard
“While the king was on his couch, my nard gave forth its fragrance.” — Song of Songs 1:12
Gospel Fulfilment:
Mary of Bethany anoints Jesus’ feet with spikenard, filling the house with fragrance (Mark 14:3–9). In the Song, fragrance belongs to intimacy and nearness.
This anointing represents the saturation of consciousness with a fixed assumption. The atmosphere changes as the inner king is honoured, signalling readiness for union.
Set Me as a Seal upon Your Heart
“Set me as a seal upon your heart, as a seal upon your arm, for love is strong as death.” — Song of Songs 8:6
Gospel Fulfilment:
At the Last Supper, Jesus speaks of a new covenant (Matthew 26:28). A seal marks ownership and finality.
Psychologically, this is the fixing of identity. Love being “strong as death” describes the end of a former self-concept and the permanence of the new. The bride is no longer separate from what she loves.
Love Unquenched by Many Waters
“Many waters cannot quench love, neither can floods drown it.” — Song of Songs 8:7
Gospel Fulfilment:
Jesus remains unmoved by storms, suffering, and crucifixion—stilling the sea, healing without hesitation, forgiving from the cross.
This reflects a state already united inwardly. Once the inner marriage has occurred, external conditions lose their authority.
Banquets, Wine, and the Wedding at Cana
“Eat, friends, drink, and be drunk with love!” — Song of Songs 5:1
Gospel Fulfilment:
The wedding at Cana (John 2) is the only wedding recorded in the Gospels. Rooted in Genesis 2:24, marriage signifies the psychological moment when two become one.
Jesus’ presence at the wedding signals that this union is already assumed. The turning of water into wine depicts the inner transformation that occurs as consciousness unites with its fulfilled identity. The feast expresses the union; it does not create it.
The Eucharist later echoes this same inward reality—participation in the established union.
Milk and Honey: Nourishment of the Bride
“Honey and milk are under your tongue.” — Song of Songs 4:11
Gospel Fulfilment:
Milk and honey symbolise Eden's inner nourishment. Under the tongue lies the habitual inner speech that feeds identity, the quiet delight and richness of assumed consciousness. This inward abundance, though hidden, sets the tone for all outward expression—the sweetness, care, and sustaining presence that flows naturally in Jesus’ ministry.
Transformation occurs not through force, but through sustained inner diet. Just as the honey and milk under the tongue nourish the bride, the inner state they represent gives rise to ministry that is gentle, life-giving, and abundant, flowing seamlessly from what has already been assumed.
Conclusion
Read psychologically, the Song of Songs and the Gospels describe one continuous inner movement. The bride’s longing, the beloved’s call, and Jesus’ saving acts all symbolise shifts in consciousness taking place within the reader.
Marriage, as defined in Genesis, is the joining of two into one. In this light, salvation is union, and the bride is created as the self becomes what it has been contemplating. The poetry of Scripture records this inner process, inviting the reader to recognise it as their own.
Bride — Bridegroom Series | Eden Series | Genesis 2:24 Series | Song of Solomon Series